The drawer
Every painting the group has made, newest first.
Friday 2 October
Late editionA weathered wooden cottage standing on giant scaly chicken legs, mid-stride and kicking up dust, bursting through a vast lost-property office at Oslo S, surrounded by shelves of forgotten umbrellas, suitcases, skis and gloves. Infrared film photograph: dreamy white foliage-like glow, pale ghostly highlights, deep dark skies, grainy texture. Euphoric mood, radiant light streaming in, flying scarves and hats, joyful dynamic low-angle composition.
First editionA zombie druid with grey-green decaying skin and a tattered moss-stitched robe stands at the centre of a lunar crater, gripping a gnarled oak staff sprouting black leaves. Rendered in gongbi: fine ink outlines, meticulous brushwork, flat layered mineral pigments of crimson, vermilion and gold on silk. Ominous, occult mood: blood-red Earth looming in a black sky, inverted ritual circle of stones, shadowy, solemn symmetry.
Thursday 1 October
Late editionA towering SCP-style containment monster, pale and many-limbed with a smooth featureless face and faintly glowing veins, drifts through a vast underwater cavern. Shafts of golden sunlight break through a hole in the ceiling and scatter across bioluminescent coral and curious fish. Ultra HD Hollywood blockbuster cinematography, razor-sharp detail, anamorphic lens flares, a happy accident of warm light and wonder.
First editionA lone red runaway balloon drifts between towering bamboo stalks, its string trailing through the leaves, caught mid-escape in a quiet grove. Rendered as a faded 1950s Polaroid with soft focus, creamy white border, warm yellowed tones and slight light leaks. Hazy, uncertain light filters through the canopy, leaving it unclear whether the balloon is fleeing something or leading the way.